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Several bosses also employ an annoying “two phases” strategy (like the infamous Guardian Ape from Sekiro). I had to stick to lighter weapons for their shorter wind-down times, cutting down on my realistic options. That makes large weapons like greatswords feel unviable for the late-game bosses as they attack entirely too fast. For almost every single boss, I felt like I was fighting a fast-paced Bloodborne enemy with a Dark Souls slowpoke. I’d often run into situations where I’d lose that game of chicken, getting hit and staggered myself, which allowed my foe to follow up with another attack. They can’t be canceled if a boss is about to strike and I don’t end up staggering it. When I’m on the offensive, I have to commit to my attacks. Those unforgiving boss fights make the skill ceiling feel that much higher when trying to nail down such an important maneuver. Deflecting at the last moment negates all damage and doesn’t eat up any stamina meter, so it’s a key strategy that needs to be mastered to get through some punishing fights. Bosses attack entirely too fast, as it feels difficult to keep pace with a flurry of offensive attacks without being incredibly adept at perfect blocking. Those fights are unfortunately where Lies of P’s greatest flaw begins to reveal itself.

The level design is rife with cleverly designed shortcuts that make it easy to navigate back to a tough boss after a death. Like any Souls game, battles require skill and precision, but Neowiz builds in some helpful conveniences between those fights. This mechanic rewards those who take some initiative in battle as opposed to hiding behind blocks. When blocking attacks, players still take damage at a reduced rate, but there’s an opportunity for them to regain lost health by striking immediately afterward. Lies of P’s action RPG combat feels like a perfect balance between Bloodborne’s fast-paced clashes and the defensive posturing of Sekiro: Shadows Die Twice. The breadth of different designs gives each battle its own distinct personality, making for an unpredictable rogues’ gallery that’s worthy of being slain. In another fight, I faced off against an ironclad machine wielding fire – a battle that reminded me of one I’d fought in Nier: Automata. Early on, I fought a disgusting fallen priest who merged with a spider that looked like something out of Elden Ring. The monsters here range from gross, organic creatures to menacing machines. That’s most apparent in some standout boss designs. It’s clear that developer Neowiz has a deep appreciation and understanding for the studio’s games that goes beyond a surface level copy. The streets are filled with dashes of gothic buildings, lending the adventure a mysterious atmosphere that even standout Soulslikes like Wo Long: Fallen Dynasty haven’t been able to capture as well as FromSoftware’s titles. Lies of P pairs that idea with a steampunk aesthetic that suits its strange world. It’s all very weird, but undoubtedly unique. There’s even an old lady sitting in a wheelchair that’s reminiscent of Gehrman, the First Hunter from Bloodborne. Hotel Krat’s reception agent, Polendina, is a puppet based on Geppetto who wears a yellow wig. The inhabitants of its haunting world are largely inspired by that story, with Neowiz twisting characters and puppets into memorable, creepy NPCs. But it’s that oddball Pinnochio setup that helps it stand on its own two feet. The Bloodborne comparisons are apparent right away the central hub area, Hotel Krat, features a musical theme that even sounds like a fancier version of Hunter’s Dream from Bloodborne. Like most Soulslike games, the narrative is told in a rather cryptic manner, and it mostly feels more like a backdrop to the genre’s most important aspects: fierce combat and unsettling atmosphere. All of that happens as the city crumbles around him. Standing apart from BloodborneĪs bizarre as it sounds, Lies of P’s story is inspired by The Adventures of Pinocchio and follows a humanoid puppet who travels through Krat to find his master, Geppetto. Even with some missing pieces, the game’s strong monster designs, varied weapons, and some tight combat systems give it enough to stand out in a crowded field of Soulslikes, while also providing a sense of familiarity. Though it may have the aesthetic down, Lies of P doesn’t always nail its combat flow, particularly in boss fights.

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How to beat the Green Monster of the Swamp in Lies of P

Lies of P download